Adobe illustrator cc stroke gradient free. How to make gradient stroke overlap & mix colors in Adobe Illustrator

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After you draw an object, you assign a fill, stroke, or both to it. You can then draw other objects that you can paint similarly, layering each new object on top of the previous ones. The result is something like a collage made out of shapes cut from colored paper, with the look of the artwork depending on which objects are on top in the stack of layered objects. With the Live Paint method, you paint more like you would with a traditional coloring tool, without regard to layers or stacking order, which can make for a more natural workflow.

All objects in a Live Paint group are treated as if they are part of the same flat surface. This means you can draw several paths and then color separately each area enclosed by these paths called a face.

You can also assign different stroke colors and weights to portions of a path between intersections called an edge. The result is that, much like a coloring book, you can fill each face and stroke each edge with a different color. As you move and reshape paths in a Live Paint group, the faces and edges automatically adjust in response.

For more information, see the Live Paint article. An object consisting of paths painted with the existing method has a single fill and a single stroke B. The same object converted to a Live Paint group can be painted with a different fill for each face C. The same object converted to a Live Paint group can be painted with a different stroke for each edge. A fill is a color, pattern, or gradient inside an object.

You can apply fills to open and closed objects and to faces of Live Paint groups. A stroke can be the visible outline of an object, a path, or the edge of a Live Paint group. You can control the width and color of a stroke. You can also create dashed strokes using Path options, and paint stylized strokes using brushes.

Note : When working with Live Paint groups, you can apply a brush to an edge only if you add a stroke to the group using the Appearance panel. The current fill and stroke colors appear in the Tools panel, the Control panel, and the Properties panel. To watch the tutorial on applying fills and strokes, see Color basics.

An object with a fill color B. An object with a stroke color C. An object with a fill color and stroke color. Controls for setting the fill and stroke are available in the Properties panel, the Tools panel, the Control panel, and the Color panel. Click to apply the last-selected solid color to an object with a gradient fill or no stroke or fill. You can also specify color and stroke for a selected object by using the following controls in the Properties panel and the Control panel:.

Click to open the Swatches panel or Shift-click to open an alternate color mode panel, and choose a color. Stroke color.

Stroke panel. Stroke weight. You can apply one color, pattern, or gradient to an entire object, or you can use Live Paint groups and apply different colors to different faces within the object. Select the object using the Selection tool or the Direct Selection tool. Click the Fill box in the Tools panel, the Properties panel, or the Color panel to indicate that you want to apply a fill rather than a stroke.

Click a color in the Control panel, Color panel, Swatches panel, Gradient panel, or a swatch library. You can quickly apply color to an unselected object by dragging a color from the Fill box, Color panel, Gradient panel, or Swatches panel onto the object.

Dragging doesn't work on Live Paint groups. Select the object. Click the Stroke box in the Tools panel, the Properties panel, the Color panel, or the Control panel. Doing so indicates that you want to apply a stroke rather than a fill. Select a color from the Color panel, or a swatch from the Swatches panel, the Properties panel, or the Control panel.

Alternatively, double-click the Stroke box to select a color using the Color Picker. If you want to use the current color in the Stroke box, you can simply drag the color from the Stroke box onto the object. Dragging does not work on Live Paint groups. Converting a stroke to a compound path lets you modify the outline of the stroke. For example, you can create a stroke with a varied width or divide the stroke into pieces.

The resulting compound path is grouped with the filled object. To modify the compound path, first ungroup it from the fill or select it using the Group Selection tool. A stroke applied to an object B. A stroke converted to a compound path containing two sub-paths. Use the Blob Brush tool to paint filled shapes that you can intersect and merge with other shapes of the same color. The Blob Brush tool uses the same default brush options as calligraphic brushes.

See Calligraphic brush options. Calligraphic brush creates paths with a stroke and no fill B. Blob brush creates paths with a fill and no stroke. The Blob Brush tool creates paths with a fill and no stroke. If you want your Blob Brush paths to merge with existing artwork, make sure that the artwork has the same fill color and no stroke. When drawing paths with the Blob Brush tool, new paths merge with the topmost matching path encountered.

If the new path touches more than one matching path within the same group or layer, all of the intersecting paths are merged together. To apply paint attributes such as effects or transparency to the Blob Brush tool, select the brush and set the attributes in the Appearances panel before you start drawing. Use the Blob Brush tool to merge paths created by other tools.

To do so, make sure that the existing artwork doesn't have a stroke. Then set up the Blob Brush tool to have the same fill color, and draw a new path that intersects all of the paths that you want to merge together. Select the Blob Brush tool , and make sure it uses the same appearances as the selected artwork. Draw paths that intersect with the artwork. Keep Selected. Specifies that when you draw a merged path, all paths are selected and remain selected as you continue to draw.

This option is useful for viewing all paths that are included in the merged path. Merge only with Selection. Specifies that new strokes merge only with the existing selected path. If you select this option, the new stroke is not merged with another intersecting path that is not selected. Controls how far you have to move your mouse or stylus before Illustrator adds a new anchor point to the path. For example, a Fidelity value of 2. Fidelity can range from 0. Controls the amount of smoothing that Illustrator applies when you use the tool.

Determines the angle of rotation for the brush. Drag the arrowhead in the preview, or enter a value in the Angle text box. Determines roundness of the brush. Drag a black dot in the preview away from or toward the center, or enter a value in the Roundness text box. The higher the value, the greater the roundness. You can select objects that have the same attributes, including fill color, stroke color, and stroke weight.

One of the objects is selected B. All objects with the same fill color are selected. You can't select the same objects both inside and outside a Live Paint group at the same time. Use the Appearance panel to create multiple fills and strokes for the same object. Adding multiple fills and strokes to an object is the basis for creating many interesting effects. For example, you can create a second, narrower stroke on top of a wide stroke, or you can apply an effect to one fill but not the other.

It may be necessary to adjust the position of the new fill or stroke in the Appearance panel. For example, if you create two strokes of different widths, make sure that the narrower stroke is above the wider stroke in the Appearance panel.

You can also click the None icon in the Fill menu or the Stroke Color menu in the Properties panel or the Control panel.

Apply a fill color and a stroke color B. Remove a stroke from an object C. Remove a fill from an object. Legal Notices Online Privacy Policy. Adobe Illustrator Features What's New. Buy now. User Guide Cancel. Painting methods. Illustrator provides two methods of painting: Assigning a fill, stroke, or both to an entire object Converting the object to a Live Paint group and assigning fills or strokes to the separate edges and faces of paths within it.

 

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Sign Up. Daniel Walter Scott. Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information. Check основываясь на этих данных our Adobe XD Course adobe illustrator cc stroke gradient free clicking here! Hi, in this video we're going to look at more Blending Modes. We're going to look at Gradients along Strokes. They kind of start overlapping and doing fun stuff.

We'll also look at jamming a Gradient inside Type. Just so you know, it's so adobe illustrator cc stroke gradient free you can kind of do this. You can see how they start interacting with each other. You can see, kind of cool, unexpected colors and awesomeness start happening. So that's what we're going to do in this video, let's jump in.

This is a mock up. I made this actually in XD. If you haven't used XD, it's great перейти prototyping websites or apps. I've got a course on that, go check that out. So I've made this, but I want to add a flurry of color. Like we saw on the side нажмите чтобы узнать больше, when we used Blending Modes. Something like XD adobe illustrator cc stroke gradient free have this, so we'll end up swapping between XD to do all the kind of core stuff, like buttons and navigation stuff.

Then out to Illustrator to do some slightly more advanced kind of things, like Color Blending. More color blending, yes. I'm going to use the Curvature Tool to make that first bike. Click once, click again, then kind of make it that shape.

Now what I would like to do is, by default, it would probably just have a black line. You might have a Fill, get rid of the Fill, it might be white, and no Stroke. Remember, in an earlier tutorial, you might not have done it. So what we can do is, first of all, the Width Tool, it's this guy adobe illustrator cc stroke gradient free. I'm going to grab this end to kind of make it-- that gives me my nice even kind of pokey thing.

Next thing, I want to add a Stroke Gradient. There's kind of a new version of Illustrator. Under 'Strokes', if you're using this particular file, I've got all these Gradients already loaded in here for you. If you don't, obviously you can use the Gradient Tool. It's under 'Window', 'Gradients', and make your own. But I'm going to click on one of these, decide which one I want to use. No right or wrong.

You might hate Gradients. Now the one thing with Gradients though, is if I open up 'Gradient Options', or go to 'Window', 'Gradient', then applying it to the Stroke, you need to go left to right because that's what it's adobe illustrator cc stroke gradient free. Or the second one in this, that's what I want. I want it to kind of follow the line.

This one here goes left to right, following the line, this one goes straight down following the line. This one here just goes like left to right regardless of where the Stroke goes. Hopefully that makes sense. You can flip it, there's an option there to flip, deciding on how you want to do it.

All I'm going to do now adobe illustrator cc stroke gradient free a second is, let's speed this up because adobe illustrator cc stroke gradient free I'm going to do is rotate them, and spin them around. So let's go speedy version. Okay, we're back. If you were to watch that real time, it took me forever. I don't know why, I'm just trying to-- I don't know, it's not flowing right. But you get the idea, right?

We got some kind of curves and gradients. I'm going to select all of them on the top here and basically all we do is we go to the Blending Mode, which is under 'Opacity', and go to 'Normal', and just kind of play around adobe illustrator cc stroke gradient free the ones that we like.

Instantly darker, look's kind of cool. I'm looking for these kind of joints adobe illustrator cc stroke gradient free things start overlapping, and doing cool stuff. Now, it will depend on the colors that you're using. So have a work your way through and just see what-- some cool interactions here. Remember that shortcut, 'Command H'?

Usually steinberg cubase free free back on. Multiply, Color Burn, well Color Burn is kind of nice. Watch what we're doing. Now I'm just messing about, I'm going to do some cropping.

You can skip on to the next video if you like. I'm going to do some tidying up when I'm finished. So, clicked every single one of these. If you know a shortcut from going through these, I know what it is in Photoshop. Then here, I kind of look it out in Illustrator. I have to click on every single one. All right, nearly darkened. Couple of things I want to do, is I just adobe illustrator cc stroke gradient free to crop it in, and move-- We'll add a Gradient to the text as well, so do hang around.

Disappeared already? Sorry about that. I'm going to grab the Rectangle Tool. I'm going to draw a rectangle, that's the whole size of the thing. Basically his job. I'm going to hold 'Shift', grab these guys as well.

I got all of them, 'Command H' to turn those back on. Now I'm going to click on it and send it to the back, behind the navigation. What I'll do for the navigation-- Do I want him behind the navigation? Definitely want it behind the buttons, but maybe, not the actual Nav bar. What we'll do for the Nav bar is, we'll pick a Gradient for you, buddy. Come on, you're going to be that one.

Too much. And save it down here. Then into my Gradients, with him selected, Fill at the front. Adobe illustrator cc stroke gradient free him over so he's kind of balanced out. Now what you might want to do is add Gradients to text. Over here, I've outlined this text, works just as good for regular typed text but I've outlined it because you might not have this font. And I'm quite precious about this font. So what I'd like to do is, it's Museo, or Roboto; can't remember.

Adobe illustrator cc stroke gradient free, we're going to add a Gradient to it, but if you add Gradient to either ссылка на подробности, or like this one, kind of outlines the text.

It does it individually, per основываясь на этих данных. An easy way to get around that, is just to go to 'Object' it's 'Command 8', but if you go to 'Object' 'Compound Path', there it is there, 'Make'.

Make an object, 'Compound Path', 'Make'. Nothing really changes except now, when I say, give you a Gradient, it makes life a lot easier. Where are you? That color. You can see, it kind of goes across all the text rather than kind of starting and stopping all the way through. It might be hard to see because it's quite thin. A little this side, a little that side. All right, so that's going to be it for this video, more Color Blending.